Order: Heavy metal · Family: Thrash: the next generation

Slayer

Defining record
Show No Mercy · 1983
First sighting
1981
Range
Huntington Park, California, USA

Took the darkest corners of the new wave and made them faster and nastier.

Deep dive The full story of Slayer 1 min read · 1 album review

Line of descent

Field marks of Thrash: the next generation

Family notes by [Lead writer]

Tempo
Very fast
Guitars
Down-picked and aggressive
Vocals
Shouted / Clean
Listen for
British new wave riffs played at hardcore punk speed
Habitat
Los Angeles, the San Francisco Bay Area
Similar species
Hardcore punk, speed metal
Slayer
Photo: Francis from Groningen, Netherlands · CC BY 2.0

The story so far

Slayer is an American thrash metal band from Huntington Park, California, formed in 1981 by guitarists Kerry King and Jeff Hanneman, drummer Dave Lombardo and vocalist/bassist Tom Araya. Slayer's fast and aggressive musical style made them one of the "big four" bands of thrash metal, alongside Metallica, Megadeth, and Anthrax. Slayer's current lineup comprises King, Araya, drummer Paul Bostaph, and guitarist Gary Holt, who initially joined as a touring musician in 2011 before joining the band permanently after Hanneman's death in 2013; the drummer Jon Dette is a former member of the band.

Source: Wikipedia · CC BY-SA 4.0

Cover of Divine Intervention

Album review

Divine Intervention

1994 · American Recordings

Sex. Murder. Art

I’ll happily admit to being biased here. This is one of my favourite albums of all time. It’s melodic, brutal, unsettling and relentlessly exciting. A perfect balance of everything that makes Slayer so fucking… Slayer!

The opening assault of Killing Fields sets the tone immediately, before Sex. Murder. Art. and Fictional Reality keep the pressure firmly on. Then comes Dittohead, a two-and-a-half-minute exercise in absolute fucking chaos.

But there’s more to Divine Intervention than speed and aggression. The title track is a wonderfully dark, groove-heavy monster, while Circle Of Beliefs and SS-3 demonstrate just how inventive Hanneman and King could be with their riffs.

Serenity In Murder brings a wonderfully twisted melodic edge, and 213 is genuinely unsettling, building an atmosphere that’s as disturbing as anything Slayer have recorded. Finally, Mind Control brings the whole thing to a suitably brutal conclusion.

There’s a surprising amount of melody buried in all that violence. The guitars have a real character to them, the riffs are instantly recognisable, and Paul Bostaph’s drumming is absolutely ferocious.

And then there’s the runtime. Around 36 minutes. No padding, no unnecessary detours, no fucking about. Just ten tracks that get in, do their damage and get out.

Reviewed byKeir Cleland

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